静而能应

He is no fauve, no “revolutionary,” but a sober-minded thinker inspired by a fierce austerity.

The architect, by his arrangement of forms, realizes an order which is a pure creation of his spirit; by forms and shapes he affects our senses to an acute degree and provokes plastic emotions; by the relationships which he creates he wakes profound echoes in us, he gives us the measure of an order which we feel to be in accordance with that of our world, he determines the various movements of our heart and of our understanding; it is then that we experience the sense of beauty.

Contour and profile are the touchstone of the architect.

Here he reveals himself as artist or mere engineer.

Profile and contour are free of all constraint.

There is here no longer any question of custom, nor of tradition, nor of construction, nor of adaptation to utilitarian needs.

Profile and contour are a pure creation of the mind; they call for the plastic artist.

Architecture is a thing of art, a phenomenon of the emotions, lying outside questions of construction and beyond them. The purpose of construction is TO MAKE THINGS HOLD TOGETHER; of architecture TO MOVE US. Architectural emotion exists when the work rings within us in tune with a universe whose laws we obey, recognize and respect. When certain harmonies have been attained, the work captures us. Architecture is a matter of “harmonies,” it is “a pure creation of the spirit.”

The Plan is the generator.

Rhythm is an equation; equalization (symmetry, repetition); compensation (movement of contrary parts); modulation (the development of an original plastic invention).

The regulating line is a means to an end; it is not a recipe. Its choice and the modalities of expression given to it are an integral part of architectural creation.

The rhythm and the state of equilibrium.

The business of architecture is to establish emotional relationships by means of raw materials.

Architecture goes beyond utilitarian needs.

Architecture is a plastic thing.

The spirit of order, a unity of intention.

The sense of relationships; architecture deals with quantities.

Passion can create drama out of inert stone.

Architecture is a plastic thing. I mean by “plastic” what is seen and measured by the eyes.

Society is filled with a violent desire for something which it may obtain or may not. Everything lies in that: everything depends on the effort made and the attention paid to these alarming symptoms.

Architecture or Revolution. Revolution can be avoided.

From Gonogo to Final

I almost do nothing, waiting for the final. It is really strange weather these days, cold and raining hard. I can see a very nice view outside of the civil building.

大武汉

女士点了粥,她说她要减肥,旁边的另一某博女士,天真的问着
无知的非专业问题,再旁边的法国建筑师喝着红酒,一脸迷茫.
大家密谈着钱和瓜分事宜.这是一年半没有见的武汉.有谁在做
规划,做建筑,为人民服务???

中专的20的她一笔一笔的认真显得十分的可爱。 

假如生活骗了你 普希金

数据库是语言学家的重要工具

Still life

 

1 Litre of Tears 

 

〖火〗

 

悲伤时唱首歌

 

江城夏夜

 

05年，丁丁带她走的那条街，就在服装学校的后面，民院的旁边。是个大下坡，下雨的时候人还是那么多，
熙熙攘攘的，没有空隙。小食店，租碟店，麻辣烫，小草棚，小书摊很是喧闹。她神情并不那么清晰，有点
拘谨，一直就跟在丁丁后面。巷子很黑，很脏，但是分外亲切。她们在麻辣烫棚里坐下。大家围着火堆一起
吃串。有情侣，有同学，有小孩，有妇人，各自说笑着自己的故事。她并不能都听清楚他们说的，只是看到
那些一张一合的嘴巴。女老板不停的给大家加入菜肴，外面的风雨把棚子闹得晃晃响。丽开车带她去的是远
在青年路上红焖虾一条街，挑的最好的那家，门口排队有10多米长。拥挤的二楼食位和蹩脚的厕所让人很是
不自然，她不能听到喧闹的声音，因为容易失控，1个小时的排队领虾，到不足10分钟的吃饭离开，自然是

很不给丽面子,侄女在车上不停的逗人开心，可是她脑子还是乱，直道丽说关了音响不要说话！丽再次去带她
去吃的是烧烤，这家店就在学校南区的路边，小烤鱼是她一直惦记的美味。吴阿姨带她去的是逛完东湖后的
农家菜，杨叔会带她去钓鱼，食鱼，放焰火，袁老师则会去温泉旅行，闫三会去晨泳，F4去K歌，她的那些
叔叔们会带她去吃鲍鱼火锅。帅来时去的是楚灶王，他对于此名很是称赞。任同学爱红旗飘飘和泡吧，俨然一
年轻潮流者。而她最记得的还是小亦可。今年的搬迁工作已经到了珞司南路了，不知道会变成什么样子。

 

生日快乐

 

lovezero

 

复杂

 

Programming culture

"20 years of scripted space"

"this kind of code is by you ,for you ---and it is fun"

"Any sage should know that some things are easier done than said, that an approximation is almost always enough, thatt convenience of measurement should not be mistaken for completeness of truth, that logic is so cumbersome that humans seldom use it, and so on" 

 

a cup of tea